Born - 1964, United Kingdom
lives and works in Sydney, Australia
Education - BfA, The Ruskin College of Drawing and Fine Art, Oxford University
Adam Norton’s work explores the effects of technology on the human condition. He repurposes scientific ideas from the recent
past and the near future in an attempt to map out the mental and geographical landscape of our present. His eccentric devices
can be seen as a prism through which to look at the conflicts and controversies of the era. He uses paint, print, film and installation
to present the most interesting narratives and ideas about our present condition and where we might be heading. He uses
technology and science fiction as a narrative architecture on which to hang his ideas about mankind’s role in the universe.
Norton grew up in Lagos, Nigeria and later in Nairobi, Kenya. He studied in the United Kingdom. In 1984 Norton was awarded a BfA
from The Ruskin School of Drawing and Fine Art, Oxford University. He has lived and worked in Sydney, Australia, since 2002.
Past exhibitions include - Project: COSMOS, 3rd Biennale of Daejeon, Daejeon Museum of Art, Korea in 2016. In 2015 My Trip to Mars,
at the UTS Gallery, University of Technology, Sydney, and The Hope of Wrecks, St Albans Museum, Hertfordshire, United Kingdom.
In 2013; Awfully Wonderful: Science Fiction in Contemporary Art, Performance Space, Sydney. In 2011, The Great Reclamation, Pictura,
Dordrecht, The Netherlands and in 2008, The Visitors: The Australian Response to UFO’s and Aliens at Penrith Regional Gallery, 2007.
To mark the 60th anniversary of the atomic tests at Maralinga, Norton had work included in the exhibtion Black Mist, Burnt Country,
which toured nationally around Australia from 2016 until 2019.